Leopold Stokowski), Was mir behagt, BWV 208, 'Hunt Cantata': Aria: Sheep may safely graze (Arr. Stream songs including Overture (Suite) No. The great Dutch harpsichordist Gustav Leonhardt arranged for the harpsichord various major works by Bach five from solo violin works, three from solo cello suites and two movements from a partita for solo flute and a suite for solo lute. These recordings are housed within the University of Maryland Library System. Listen to Stokowski: Bach Transcriptions by Bournemouth Symphony Orchestra & José Serebrier on Apple Music. A third category included here might be called Bach transcriptions by 20th-century giants. This dissertation is documented on two compact discs that were recorded from 2009 to 2012 in Dekelboum Concert Hall at Clarice Smith Performing Arts Center of the University of Maryland. Takahashi/Lehmann make light work of Regers Brandenburg duet transcriptions. Pieces that are included on these recordings have been chosen after hours of listening and researching at The International Piano Archives of Maryland. Bach to the future: how period performers revolutionised classical music. The validity of these transcriptions can be firmly founded on the fact that Bach himself was an avid transcriber of other composers' works, as well as his own music. The types of transcriptions recorded can be divided into two categories: transcriptions of instrumental works (such as organ preludes or violin partita) and transcriptions of vocal works (aria or cantata). Works studied include transcriptions by one of the more prominent Bach transcribers, Ferruccio Busoni, as well as other transcriptions by 1) German pianist-composers: Max Reger, Eugen d'Albert 2) Russian pianist-composers: Samuil Feinberg, Alexander Siloti, Sergei Rachmaninov 3) American pianist-composers: Kevine Oldham, Olga Samaroff, Angela Hewitt 4) British pianist-composers: Myra Hess, Walter Rummel and 4) Polish pianist-composer: Ignaz Friedman. This dissertation, however, focuses specifically on pianist-composers after the Liszt generation who have continued in the tradition of transcribing Bach's music. Major composers such as Liszt and Brahms have all contributed to this movement by conducting and/ or transcribing his music. D'Albert's versions of eight secular masterworks present them remarkably close to their original form, yet perfectly matched to the modern piano. Although it is commonly believed that Mendelssohn "revived" Bach as a composer in the nineteenth century, it was rather the tradition of playing his music in modem concert settings with modem instruments that was rediscovered through the nineteenth century composers. The transcriptions he made for this purpose are arguably better than the numerous Bach transcriptions made by his contemporaries. The purpose of the study is to explore many different examples of this genre, to re-evaluate their significance in the Classical piano repertoire, and to further validate them as one of the main works to be considered in performance settings. This dissertation is a study of transcriptions by various pianist-composers of the music of Johann Sebastian Bach.
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