![]() ![]() Whether or not you like the concept of a convolution reverb designed for specific sources, the design of Spaces and its preset library push you in the direction of using it that way. Spaces' library is stored in a custom format that can't be read by other convolution plug‑ins, and nor is it capable of importing third‑party IRs. And that, it turns out, is that: there's no EQ, no envelopes, and none of the means of trimming or stretching impulse responses you'll find on nearly all conventional convolution reverbs. The Spaces front panel is disarmingly simple, with large rotary level controls for input level, wet and dry levels, and amount of pre‑delay. It is authorised to an iLok key, and if you buy it online, the download is just over a Gigabyte in size. QL Spaces is available in all major plug‑in formats on Mac and PC, although the Mac version is currently restricted to 32‑bit operation. The bulk of the library supports true‑stereo operation, and many impulses were recorded as eight channels for true surround reverb. ![]() Phoenix also used recording chains and high‑end vintage gear that would be typical for a particular source: many of the IRs were, for instance, captured with Neumann M50s and M49s, or Telefunken ELAM 251s. Likewise, some of the impulse responses intended for pianos and orchestral instruments were recorded by setting up multi‑speaker arrays that replicated the positions of those instruments within the hall, and the directions in which they radiate sound. So, for example, to capture the ambience of the EastWest Studios drum room, he placed ATC speakers where the kit would be set up, and fired them directly at the microphones, so that they 'heard' exactly what they would do if serving as room mics on an actual drum recording. Instead of recording generic 'samples' of each space, producer Nick Phoenix set out to capture the reverb that would actually be heard by the room mics on a particular instrument. Its USP is encapsulated in the phrase 'source specific'. EastWest's Quantum Leap Spaces takes a different tack, focusing on the impulse responses themselves rather than the algorithms used to apply them to your music.Įast West Symphonic Orchestra Gold Complete Full Crack Downlo. For example, Liquidsonics' modestly priced Reverberate and the latest version of Audio Ease's Altiverb incorporate some clever modulation tricks, which aim to recapture some of the sense of movement and life that real spaces and plates bring. Various attempts have been made recently to try to impart more of an organic feel to convolution reverb. A related complaint is that convolution reverb sometimes feels 'stuck on' to the source sound, rather than forming a natural blend or addition to it. Perhaps because they are usually based around a single, static 'sample' of a real source, many people feel that convolution reverbs sound a little bland or sterile when compared either with the rooms and plates from which their impulse responses were obtained, or with old‑style algorithmic digital reverbs. If there's one criticism that is most often levelled at convolution reverbs, it's that they lack character. Quantum Leap Spaces is available to purchase as a download for $299 USD / 225 EUR (DVD expected shipping date is week of January 24th).EastWest's intriguing reverb plug‑in aims to breathe new life into convolution technology. Low CPU usage, with cleanest signal path possible.Film Score, Rock, Pop, Jazz, Classical, Esoteric and Dreamy Reverbs.ATC, Neumann, Telefunken, Neve, Meitner Signal Path.24-bit True Stereo, with True Surround capability.Highest resolution, most useful, reverbs available.Produced and Engineered By Nick Phoenix.Because of this, the reverbs in QUANTUM LEAP SPACES have a fantastic balance of early reflections and room sound that really draws a dry instrument into the space, rather than the usual “sound plus reverb” result. This same methodology was used to record reverbs for rock instruments in various LA studios. A fifth speaker with the high end reduced was fired towards the floor to emulate the body of the violins. 1st violin section impulses were taken by firing a series of speakers at an angle towards the ceiling, just like a real section. So an impulse taken for a French horn was created by firing the sweep tones from the middle to left rear of the stage, backwards and slightly towards the floor. ATC monitors were positioned in the room/hall to emulate the real world sound projection properties of various instruments. EastWest has announced the release of Quantum Leap Spaces, a 24-bit, true stereo convolution reverb for Windows and Mac.Īn arsenal of the best gear that Neumann, Neve, Telefunken, TG, Manley, Sennheiser, Fairchild (to name a few) have produced over the past 60 years was used to create QUANTUM LEAP SPACES, along with the Sony DRE S777 sampling reverb and Meitner A-D converters.
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